Colin (Alexander) St. John Wilson

* 1922

architecte et auteur britannique.

• Sigurd Lewerentz 1885-1975
  The Dilemma of Classicism
  A. Smithson, P. Smithson, H. Ahlberg, C. S. Wilson
  Architectural Association Publications; 1989
  
• Courts of injustice
  in: The Architects' Journal, 19/1985
  C. S. Wilson
  page 87–88
  - book review
  
• The public Finnish
  in: The Architectural Review, 1987,1084
  C. S. Wilson
  page 61–62
  
• Leiviska at Myyrmaki: church and parish centre Myyrmaki, Finland
  in: The Architectural Review, 1987,1084
  C. S. Wilson
  page 63–67
  
• Sigurd Lewerentz and the dilemma of the classical
  in: Perspecta, 1988,24
  C. S. Wilson
  page 50–77
  
• Sigurd Lewerentz
  in: The Architects' Journal, 15/1988
  E. Williams, C. S. Wilson
  page 32–52
  
• Peter Reyner Banham
  in: The Architects' Journal, 13/1988
  P. Smithson, R. Herron, P. Carter, C. S. Wilson
  page 20–21
  - obituary
  
• Building ideas
  in: The Architects' Journal, 9/1992
  C. S. Wilson
  page 20–21
  
• Recent work of James Stirling, Michael Wilford and Associates
  in: A+U: extra edition, 5/1990
  J. Stirling, F. Dal Co, G. H. Baker, B. Gill, T. Nakamura, C. S. Wilson
  page 1–267
  
• James Frazer Stirling 1926-1992: in memoriam
  in: The Architectural Review, 1992,1150
  R. Rogers, J. U. Pallasmaa, A. Isozaki, M. Wilford, L. Krier, F. Dal Co, K. Frampton, H. Fecher, F. Newby, P. Palumbo, C. S. Wilson
  page 4–13
  
• James Stirling: in memoriam
  in: The Architectural Review, 1992,1150
  C. S. Wilson
  page 18–20
  
• Light on Scharoun
  in: The Architectural Review, 1979,986
  C. S. Wilson
  page 194–197
  
• The amphitheatre and the mountain: Essen Opera House; architect: Alvar Aalto
  in: International architect, 1979,2
  C. S. Wilson
  page 13–32
  
• Speer and the fear of freedom
  in: The Architectural Review, 1983,1036
  C. S. Wilson
  page 22–25
  
• Gunnar Asplund: the dilemma of classicism: AA exhibition gallery, Members' Room & Bar 29 September-29 October 1988
  in: AA-Files, 1989,18
  C. S. Wilson
  page 88–96
  - exhibition review
  

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